Industrial Cameras, Industrial Imaging and Machine Vision - Wholesale Distributor - Aegis Electronic Group

 

Sony ILCE-7SM3 Front View No Lens Attached

Sony ILCE-7SM3 Alpha 7S III Full-frame Interchangeable Lens Camera With SDK

Sony ILCE-7C Front View No Lens Attached

Sony ILCE-7C Alpha 7C Full-frame Interchangeable Lens Camera With SDK

Sony ILCE-7M4 Alpha 7 IV Full-frame Interchangeable Lens Camera With SDK

Explore the cutting-edge Sony α7 IV, featuring a 33.0MP sensor, BIONZ XR™ processor, and 4K 60p recording.
SKU
ILCE-7M4

Unleashing Creativity: Sony α7 IV with 33.0MP Sensor and BIONZ XR™ Processor

Newly developed 33.0MP back-illuminated CMOS image sensor

The full-frame Exmor R™ CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p. The sensor also provides improved color reproducibility, low-noise performance at all sensitivities, 15-stop dynamic range on stills, and increased AF precision and focal stability. 

BIONZ XR™ image processor for up to 8x processing speed

The BIONZ XR engine, also used in the flagship α1 and α7S III models, provides up to an 8x increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimize processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load. 

Beautiful image rendering with low noise

Visible benefits of the powerful new 33.0MP sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better color reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.

Smoother gradation rendering with 10-bit HEIF recording

The α7 IV offers HEIF (High Efficiency Image File) still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimizes degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range. 

4K 60p recording, 4:2:2 10-bit recording 

The α7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p recording, and when recording 4K movies at 30p, full-frame 7K oversampling produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS™ file format provides roughly twice the coding efficiency of MPEG-4 AVC/H.264. 

Set the mood, in-camera, with Creative Look

Broaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting. 

Beautiful color expression made simple, with S-Cinetone™ 

The α7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin color, plus soft colors and gorgeous highlights. Because it's in-camera, it's easy to create a more expressive look for your movie imagery without post-editing.

S-Log for color matching with professional video equipment

The α7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops of dynamic range. The S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match α7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.

Soft Skin Effect for bright and beautiful skin appearance

The built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available, so you can adjust the degree of the effect as you wish. 

Optical 5-axis in-body image stabilization for 5.5-step compensation 

The α7 IV's high-precision stabilization unit and gyro sensors work with stabilization algorithms to achieve up to 5.5 steps of shutter-speed compensation, to maximize the performance of the camera's 33.0MP sensor. This in-body stabilization allows effective use with a wide range of lenses. The live monitor view shows the stabilized still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.

Hand-held movie shooting with Active Mode

Active Mode uses the camera's stabilization unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilization during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilization in all formats, including 4K, without compromising the α7 IV's compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilization can be applied for ultra smooth shots using Catalyst Browse/Prepare software. 

Buffer memory supports continuous shooting and recording

Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps with AF/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800 uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card). Increased processing power also allows you to change menu settings even while data is being written to the memory card. 

Fast Hybrid AF with improved speed, precision and tracking 

Using a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94% of the image area for both still and movie shooting with 759 phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analyzed in real time by the latest powerful processing engine to achieve the AF system's impressive results. 

AI-based Real-time Eye AF and Real-time Tracking

The superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30% better eye-detection accuracy, while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.

Bird mode for Real-time Eye AF, now available in movies

The Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimized AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you've selected a bird, the camera will automatically detect and precisely track that bird's eye, whether the bird is perched or in flight.

AF control through touch operation

Touch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you're shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots. 

AF Assist for seamless transitions to manual focus

The AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.

Visualize depth of field during movie shoots with Focus Map

The new Focus Map overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualize depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera's excellent video definition and fast lenses to create impressive shots with shallow depth of field. 

Breathing Compensation for consistent angle of view when focusing 

For the first time in the α series, the α7 IV provides compensation for focus breathing. Focus breathing is any change in a lens's angle of view that corresponds to changes in focus. Sony's original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilization to shoot stable, consistent imagery.

Still/Movie/S&Q dial for quick access to hybrid capabilities

Befitting the α7 IV's status as a true hybrid camera, it comes equipped with a dedicated Still/Movie/S&Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S&Q mode can also be selected, for fast access to slow-motion or quick-motion shooting. 

The latest mode-specific menus and customizable Rear dial R

The α7 IV's menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customizable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency. 

Vari-angle LCD monitor for greater freedom when shooting

The large, side-opening 3.0-type 1.03-megadot touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots. 

3.68 megadot high-definition Quad-VGA OLED viewfinder

The α7 IV's Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the α7 III viewfinder, with a 37.3° FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the α7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments. 

Communication features for easy sharing and distribution 

The α7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz band in addition to the 2.4GHz band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C® connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.

Instant real-time live streaming via USB connection 

Live streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs. 

High-capacity Z batteries and USB Power Delivery

The α7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies and AC adaptors. Battery drain can be minimized by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD can be connected to the camera's USB Type-C® port, for extended recording. 

Heat management

To allow extended continuous recording, efficient heat dissipation is provided by Sony's proprietary Σ (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.

Dual media slots, with CFexpress Type A support

Dual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards, and both slots support UHS-I and UHS-II SDXC/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.

Reliable, robust engineering

We have improved the dust and moisture resistance of the α7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more   sealing at body seams and the battery compartment cover (compared to the α7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera's top cover, front cover, and internal frame provides excellent durability.  

Consideration for the environment and resource conservation 

Sony's "Road to Zero" environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all  plastic packaging materials for the α7 IV are  recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.  

Works with iMovie and Final Cut Pro X

This product is compatible with Final Cut Pro X and iMovie.

USB Terminal Multi/Micro USB SuperSpeed USB 10 Gbps (USB 3.2) compatible
General
Camera Type Interchangeable lens digital camera
Lens Mount  E-mount
Image Sensor
Type 35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number Of Pixels (Effective) Approx. 33.0 megapixels
Number Of Pixels (Total) Approx. 34.1 megapixels
Image Sensor Aspect Ratio 3:2
Color Filter R, G, B primary color
Anti-Dust System Yes (Charge protection coating on optical filter and image sensor shift mechanism)
Recording System (Still Image)
Recording Format JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (Pixels) [4:3] 35 mm full frame L: 6224 x 4672 (29 M), M: 4096 x 3072 (13 M), S: 3120 x 2336 (7.3 M), APS-C M: 4096 x 3072 (13 M), S: 3120 x 2336 (7.3 M)
Image Size (Pixels) [16:9] 35 mm full frame L: 7008 x 3944 (28 M), M: 4608 x 2592 (12 M), S: 3504 x 1968 (6.9 M), APS-C M: 4608 x 2592 (12 M), S: 3504 x 1968 (6.9 M)
Image Size (Pixels) [3:2] 35 mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M), APS-C M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Image Size (Pixels) [1:1] 35 mm full frame L: 4672 x 4672 (22 M), M: 3072 x 3072 (9.4 M), S: 2336 x 2336 (5.5 M), APS-C M: 3072 x 3072 (9.4 M), S: 2336 x 2336 (5.5 M)
Image Quality Modes RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed)
JPEG (Extra fine / Fine / Standard / Light)
HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light)
RAW & JPEG
RAW & HEIF
Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Dynamic Range Functions Off, Dynamic Range Optimizer
14BIT RAW Yes
Picture Profile Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Color Space sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut)
Recording System (Movie)
Recording Format XAVC S
XAVC HS
Video Compression XAVC S: MPEG-4 AVC/H.264
XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit), MPEG-4 AAC-LC 2 ch
Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Color Space Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Picture Profile Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Movie Recording Format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.) 60p (150 Mbps / 75 Mbps / 45 Mbps)
24p (100 Mbps / 50 Mbps / 30 Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 60p (200 Mbps / 100 Mbps)
24p (100 Mbps / 50 Mbps)
3840 x 2160 (4:2:0, 10bit, PAL) (Approx.) 50p (150 Mbps / 75 Mbps / 45 Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 50p (200 Mbps / 100 Mbps)
Movie Recording Format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.) 60p (150 Mbps)
30p (100 Mbps / 60 Mbps)
24p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 60p (200 Mbps)
30p (140 Mbps)
24p (100 Mbps)
3840 x 2160 (4:2:0, 8bit, PAL) (Approx.) 50p (150 Mbps)
25p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 50p (200 Mbps)
25p (140 Mbps)
Movie Recording Format (XAVC S HD)  
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) 120p (100 Mbps / 60 Mbps)
60p (50 Mbps / 25 Mbps)
30p (50 Mbps / 16 Mbps)
24p (50 Mbps)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) 60p (50 Mbps)
30p (50 Mbps)
24p (50 Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) 100p (100 Mbps / 60 Mbps)
50p (50 Mbps / 25 Mbps)
25p (50 Mbps / 16 Mbps)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) 50p (50 Mbps)
25p (50 Mbps)
Movie Recording Format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 60p (600 Mbps)
30p (300 Mbps)
24p (240 Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 50p (500 Mbps)
25p (250 Mbps)
Movie Recording Format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) 60p (222 Mbps)
30p (111 Mbps)
24p (89 Mbps)
1920 x 1080 (4:2:2, 10bit, PAL) (Approx.) 50p (185 Mbps)
25p (93 Mbps)
Slow & Quick Motion 
Image Frame Rate NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fpsPAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps
Movie Function
Audio Level Display Yes 
PAL/NTSC Selector Yes
TC/UB Yes
Gamma Disp. Assist Yes
Audio Rec Level Yes
Proxy Recording Yes (1280 x 720 (Approx. 6Mbps), 1920 x 1080(Approx. 9Mbps), 1920 x 1080(Approx. 16Mbps))
Auto Slow Shutter Yes
Raw Output -
Recording System
Location Information Link From Smartphone Yes
Memory Card Slot SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I/II compliant) memory card
File System FAT12, 16, 32, exFAT
Media SD memory card
SDHC memory card (UHS-I/II compliant)
SDXC memory card (UHS-I/II compliant)
CFexpress Type A memory card
Recording Mode On 2 Memory Cards Simult. Rec, Sort, Auto Switch Media, Copy
Noise Reduction Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.
High ISO NR: Normal / Low / Off
White Balance
Modes Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Shutter AWB Lock Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus System
Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Sensor Exmor R CMOS sensor
Focus Point 35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
Sensitivity Range EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF Mode AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Eye AF [Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, [Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird
AF Illuminator Yes (with Built-in LED type)
Other Features Predictive control
Focus lock
AF Track Sens. (Still)
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie)
Switch V/H AF Area
AF Area Regist.
Circ. of Focus Point
Focus Map (Movie)
AF Assist (Movie)
AF Illuminator Range Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Exposure Control
Metering Type 1200-zone evaluative metering
Metering Sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M)

[Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode

[Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode
Exposure Compensation +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
AE Lock Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Anti-Flicker Shoot Yes
Metering Sensor Exmor R CMOS sensor
Modes Multi-segment
Center-weighted
Spot (Standard / Large)
Entire Screen Avg.
Highlight
Bracketing Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
ISO Sensitivity (Recommended Exposure Index) Still images: ISO 100-51200 (ISO numbers from ISO 50 to ISO 204800 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit)
Viewfinder
Type 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Number Of Dots 3 686 400 dots
Control Function Brightness, Color temperature
Field Coverage 100%
Magnification Approx. 0.78x (with 50mm lens at infinity, -1m-1)
Diopter Adjustment -4.0 to +3.0m-1
Eye Point Approx. 23mm from the eyepiece lens, 18.5mm from the eyepiece frame at -1m-1 (CIPA standard)
Display Function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC
Finder Frame Rate Selection NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
LCD Screen
Type 7.5cm (3.0-type) type TFT
Touch Panel Yes
Number Of Dots (Total) 1 036 800 dots
Brightness Control Manual (5 steps between -2 and +2), Sunny Weather mode
Display Function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emphasezed display during REC
Adjstable Angle Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270°
Focus Check Yes, Focus Magnifier (35mm full frame: 5.5x / 11.0x, APS-C: 3.6x / 7.2x)
LCD Panel
Top Panel -
Face Detection
Modes Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Auto Object Framing
Still Images -
Other Features
Interval Recording Yes
Smile Shutter -
Touch Shutter -
Touch Focus -
Self Portrait Self Timer -
Product Showcase Set -
Background Defocus -
ISO Auto Min. SS Yes
Bright Monitoring Yes
Copyright Info Yes
Set File Name Yes
Save/Import Settings Yes
FTP Transfer Func. -
Playmemories Camera Apps -
Shooting Tips -
Help Guide Yes
Clock Function Setting -
Area Setting -
Shop Front Mode -
Video Light Mode Yes
Zoom Ring Rotate Yes
Eye-Fi Ready -
Clear Image Zoom
Still Images Approx. 2x
Movies Approx. 1.5x (4K), Approx. 2x (HD)
Digital Zoom
Smart Zoom (Still Images) 35 mm full frame: M: approx. 1.5x, S: approx. 2x APS-C: S: approx. 1.3x
Digital Zoom (Still Images) 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x APS-C: M: approx. 4x, S: approx. 5.3x
Digital Zoom (Movies) 35 mm full frame: approx. 4x APS-C: approx. 4x
Shutter
Type Electronically-controlled, vertical-traverse, focal-plane type
Shutter Speed Still images: 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode)
Shutter Type Mechanical shutter / Electronic shutter
Flash Sync. Speed 1/250 sec. (35 mm full frame), 1/320 s (APS-C)
Silent Shooting Yes (ON/OFF)
SteadyShot INSIDE (image stabilization)
Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Mode [Still images] On / Off, [Movie] Active / Standard / Off
Flash
Type -
Flash Coverage -
Flash Compensation +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Recycling Time -
FE Level Lock Yes
Guide No. -
Control Pre-flash TTL
Flash Modes Flash off
Autoflash
Fill-flash
Slow Sync.
Rear Sync.
Red-eye reduction (on/off selectable)
Wireless
Hi-speed sync.
External Flash Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Wireless Control Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Drive
Drive Modes Single Shooting
Continuous shooting (Hi+/Hi/Mid/Lo selectable)
Self-timer
Self-timer (Cont.)
Bracket: Single
Bracket: Cont.
White Balance bracket
DRO bracket
Pixel Shift Multi Shooting -
No. Of Frame Recordable* (Approx.) JPEG Extra fine L: over 1000 frames
JPEG Fine L: over 1000 frames
JPEG Standard L: over 1000 frames
RAW: over 1000 frames
RAW & JPEG: over 1000 frames
RAW (Lossless Compressed): over 1000 frames
RAW (Lossless Compressed) & JPEG: over 1000 frames
RAW (Uncompressed): over 1000 frames
RAW (Uncompressed) & JPEG: 828 frames
Self Timer 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer
Speed (Approx., Max.) Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Playback
Modes Single (with or without shooting information Y RGB histogram & highlight / shadow warning)
Index view
Enlarged display mode (L: 19.5x, M: 12.8x, S: 9.7x)
Auto Review
Image orientation
Folder selection (Date / Still / Movie)
Protect
Rating
Display as Group
Shot Mark (Movie)
Divider Frame
Crop
Photo Capture Yes
Accessability
Screen Reader -
Interface
PC Interface Mass-storage, MTP
Multi/Micro USB Terminal Yes
USB Type-C® Terminal Yes (SuperSpeed USB 10Gbps (USB 3.2) compatible)
NFC -
Sync. Terminal -
Wirelass LAN (Built-In) Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))
Bluetooth Yes (Bluetooth Standard Ver. 4.1 (2.4GHz band))
HDMI Connector HDMI connector (Type-A)
3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10 bit / RGB 8 bit
Mutli Interface Shoe Yes (with Digital Audio Interface)
Headphone Terminal Yes (3.5 mm Stereo minijack)
Remote Control (Wireless) Yes (Bluetooth remote control)
Mic Terminal Yes (3.5 mm Stereo minijack)
Vertical Grip Connector Yes
Functions FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi)
View on Smartphone
Remote control via Smartphone
PC Remote
BRAVIA Sync (Control for HDMI)
PhotoTV HD
Audio
Microphone Built-in, stereo
Speaker Built-in, monaural
Print
Compatible Standards Exif Print, Print Image Matching III
Custom Function
Custom Key Settings Yes
My Menu Yes
My Dial Settings Yes
Reg Cust Shoot Set Yes
Programmable Setting Yes (Body 9 sets /memory card 12 sets)
Lens Compensation
Lens Compensation Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Power
Battery One rechargeable battery pack NP-FZ100
Still Images Approx. 520 shots (Viewfinder) / approx. 580 shots (LCD monitor) (CIPA standard)
Movies (Actual Recording) Approx. 100 min (Viewfinder) / Approx. 110 min (LCD monitor) (CIPA standard)
Movies (Continous Recording)  Approx. 170 min (Viewfinder) / Approx. 175 min (LCD monitor) (CIPA standard)
Internal Battery Charge Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power Supply Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
External Power (AC Adapter) -
Power Consumption
With Viewfinder Still images: approx. 3.8 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), Movies: approx. 5.7 W (with FE 28-70 mm F3.5-5.6 OSS lens attached)
With LCD Screen Still images: approx. 3.4 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), Movies: approx. 5.6 W (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Weight
With Battery And Memory Card Included Approx. 658 g
Body Only Approx. 573 g
Oz. with Battery And Memory Card Included Approx. 1 lb 7.3 oz
OZ Body Only Approx. 1 lb 4.3 oz
Dimensions
Dimensions (W x H x D) Approx. 131.3 mm x 96.4 mm x 79.8 mm, Approx. 131.3 mm x 96.4 mm x 69.7 mm (FROM GRIP TO MONITOR)
Inches. Dimensions (W x H x D) Approx. 5 1/4 x 3 7/8 x 3 1/4 inches, Approx. 5 1/4 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)
Operating Temperature
Operating Temperature 32 - 104 degrees F / 0 - 40 degrees C
Supplied Accessories
Kit Lens -
Supplied Accessory Rechargeable Battery NP-FZ100
AC adaptor
Power cord
Shoulder strap
Body cap
Accessory shoe cap
Eyepiece cup
USB-A to USB-C cable (USB 3.2)

-